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2006.07.30
2006.07.23
2006.07.16
2006.07.09
2006.07.02
2006.06.25
2006.06.01

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Saturday, June 27, 2009
Sorry, It's been a while.
Star Trek was a missed opportunity. I'm going to make this quick, because nobody cares anymore. Here's what I liked, in order: Actors: Check. I wouldn't
change a one of them. They all amused, convinced, and won me over. "I can do this!" Keep 'em all. James Bond Movie Opening Sequence (The-Short-That-Begins-A-Movie): Check (qualified).
It was compelling and it got a tear out of me (qualified: I was a willing tear doner). Missed opportunities: I'm keeping these to myself for selfish reasons. What is to be done? Everything else needs an overhaul. It can be done. It has been done. The original Star Trek movie, "Star Trek: The Motion Picture" had this going for it: Actors: Doubleplus Check. James Bond Movie Opening Sequence (The-Short-That-Begins-A-Movie): Check. Stunning. Alien Klingons with beautiful battlecruisers, bridge, and subtitles."Tactical!" Look and Feel: Check. Beautiful. The Enterprise as imagined by Michelangelo. Real, actual special effects. I wouldn't
change a thing. And that's about it. Eveything else needed
an overhaul. All the fun was in the interpersonal relationships (see: Actors, above) and in marveling at the craft of the
special effects artists, who managed to present the beauty and grandeaur of Star Trek tech in an understated-yet-awesome way
that did not become the reason to see the movie. Yet if you
had to pick a movie worthy of putting in a capsule and sending off into space to bedevil an alien civilization, clearly it
would be "Star Trek: The Motion Picture" rather than "Star Trek." One has enduring value, the other doesn't. So, how
to give the reimagined Star Trek enduring value? Keep the actors.
Otherwise, start over. Ditch the director (keep him as producer, in keeping with his true talents) and the writers. They are
talented, but they don't understand Star Trek nor the nuances and personal dramas of a superb battle scene. (More on this later.) The current director and writers aren't going to be able to sustain a franchise on the back of what
they have accomplished in their current roles. Even though it's hard for the powers-that-be to sneeze at $250 million, sneeze they must
if they want to build a movement. It can be done. It has been
done. Wrath of Khan: It was the best of those movies.
27 jun 09 @ 11:06 am
Friday, May 8, 2009
Boy, I hope it's good.
8 may 09 @ 4:45 pm
Tuesday, April 21, 2009
BUUUSSSHHH!!!
Has the Bush Administration no bottom? The movie looks gorgeous. Gone is the gloom
of the last Star Trek film, Nemesis (2002), which seemed cast in the depressing shadow of George Bush’s
post-9/11 America. The prequel, though conceived before the rise of Barack Obama, taps into the optimism of his presidency.
And is there anything President Obama can't do
if we all just believe...?
21 apr 09 @ 8:28 am
Saturday, April 11, 2009
Best Game Ever
The first time I died was inside a gelatinous cube in Quasqueton. My cousin Dave killed me. I loved it!
I got the Boxed Set for Christmas in 1979. The first book I bought was the Monster Manual, followed by closely the Dungeon Master's Guide,
both of which I read cover to cover. The Monster Manual was magic. The DM Guide was a call to arms. I didn't get the Player's
Handbook until a little bit later, and that was just to keep an eye on those of you who used to claim all sorts of outrageous
abilities. I had to bicycle from Manhasset to Great Neck to get some modules you hadn't seen yet, before I started to
write my own. Then later, when we had permission, we all used to meet in Mineola, at Waterloo II, after taking a couple of
buses. Afterward, we'd have a couple of crap hamburgers outside of Jack in the Box in the cold, early winter dark, waiting
to get picked up. Best game ever. Thanks!
11 apr 09 @ 7:33 pm
Saturday, December 27, 2008
"Do you expect me to kneel?"
27 dec 08 @ 11:07 pm
The Woman Who Would Be Senator Wouldn't Run
I thought I was gonna, you know, to just come to power... "We did have a very nice, you know, conversation, and obviously I'm not
gonna talk about that, except to say that [Senator Hillary Clinton] said this was the greatest job that she'd ever had
and could imagine having," Kennedy said. "So, she was very encouraging, and that was, you know, that was nice because
she's a huge inspiration of mine."
I'm
jealous that the stinky, prole-smudged rite that is voting isn't an obstacle to Caroline attaining, at Hillary's encouragement, the greatest job imaginable, as it would be for me.
The Republic, you know, obviously, is in excellent hands.
27 dec 08 @ 12:54 am
Tuesday, December 23, 2008
Oh, and I have to say...
23 dec 08 @ 7:54 pm
Sunday, December 21, 2008
Fly, Meet Cannon
Over at the Ace of Spades, one of the bloggers presents an illustration of why you don't
want to drive across an open field toward US positions. Have a lookee at this. From its flyout, I think the missile looks more like a Javelin
than a TOW. What do you think? Regardless, I love the enthusiasm after the hit... UPDATE, 12/24: Ace also shows us some of the handiwork of the unsung heroes of the Empire. If you're going to conquer the world and set foot on Mars, you need people like this.
21 dec 08 @ 7:31 am
Saturday, December 20, 2008
Are You Talking?
I get a huge kick
out of the song "Lilizela Milizeli," which I got from the
album Mondo Africa that I used to provide some background music for a video I made of my sister-in-law's and nephew's trip to Africa
in 2007. I play the song a lot, and I particularly enjoy the contribution of what apparently is called the "groaner,"
the male, often-discordant thread running through the beautiful harmony of the female vocalists. Circumstances inspired me to revisit the song, and I found a website dedicated
to the artists who recorded it, Mahlathini and the Mahatolla Queens. Clearly, they are a big deal.
20 dec 08 @ 6:07 pm
Sunday, December 7, 2008

On December 7, 1941, air and naval forces of the Empire
of Japan struck the US Navy base at Pearl Harbor, Hawaii, and surrounding Army and Navy facilities. Twenty-one ships of the
Pacific Fleet were sunk or damaged in the attack, including two battleships sunk and six heavily damaged. Nearly 200 US aircraft
were destroyed and over 150 damaged, most while still on the ground. Total US casualties amounted to 2,403 dead (68 of which
were civilians killed by improperly fuzed anti-aircraft shells) and 1,178 wounded. Nearly 1,800 sailors perished on the battleship
USS Arizona alone. Japanese losses amounted to 29 aircraft shot down and five midget submarines sunk or beached:
64 men in all.
The raid commenced when the Japanese cruisers Chikuma and Tone each launched a
floatplane about 220 miles north of Oahu at 0530 local time to ascertain the exact anchorage of the US fleet. Twenty minutes
later, the carriers of Japan's First Air Fleet, Akagi, Kaga, Hiru, Soryu, Zuikaku,
and Shokaku turned into the wind to begin launching approximately 350 fighters and bombers in two waves. The aircraft
included Nakajima Type 97 "Kate" level bombers, some armed with torpedoes and others with bombs; Aichi Type 99 "Val"
dive bombers; and Mitsubishi Type 0 "Zero" fighters. Cmdr Mitsuo Fuchida, leading the first wave, used a Honolulu
radio station broadcasting Hawaiian music to home in on the target. At 0735 the scout plane from Chikuma broke radio
silence that had been maintained since the force left Japan twelve days earlier with a report that the US fleet was at its
Ford Island anchorage. Fuchida sighted the ships at 0740 and saw that they were sleeping peacefully. As his attack wave divided
into smaller units to deliver its ordnance, Fuchida radioed the code words signaling complete surprise had been achieved:
"Tora! Tora! Tora!" ("Tiger! Tiger! Tiger!").
Radio Silence While credit
for the success of the Japanese attack must go to the audacity and attention to detail of its planners -- particularly its
chief architect, Admiral Isoroku Yamamoto, Commander in Chief of Japan's Combined Fleet -- the maintenance of strict radio
silence for the entire outbound voyage played a crucial role in the results it achieved.
In the previous July,
a Japanese carrier task force consisting of Soryu and Hiryu and their escorts accompanied the convoy of
troop transports carrying Army forces to seize French Indochina. During its 2,000-mile voyage from Japan down the coast of
China, the task force intercepted British radio reports from Hong Kong to London that pinpointed the location of the Japanese
ships, and even identified specific types. The Japanese communications and intelligence officer understood that the British
were plotting the fleet's movements using radio direction-finding equipment. This generated an official requirement that
future task forces would maintain radio silence during an operation -- even to the extent of sealing transmitter keys -- and
that efforts would be made by other units to send false messages to mislead whomever might be eavesdropping.
For
the Japanese, the importance of radio silence surpassed even the benefits of aerial reconnaissance. The presence of six fleet
carriers and several other vessels that carried floatplanes with the First Air Fleet would enable a system of air patrols
to thoroughly cover huge swaths of ocean for ships and planes that might detect it. On the other hand, such a system of patrols
increased the chances that a radio message would be sent in a hasty or unguarded moment, or if a pilot had an emergency. For
the raid on Pearl Harbor, no air patrols were flown until the morning of the attack for just this reason.
Nevertheless,
the interest in Japanese radio communications shown by US intelligence personnel both raised flags and caused strategists
to second-guess themselves. The Japanese strike at Pearl Harbor was one of more than two dozen landings, raids, and related
operations scheduled to coincide over a two-day period. As of December 1, the US was aware of a great "movement to the
south" that presaged Japanese attacks on the Philippines, British possessions, and the Dutch East Indies. In fact, deployments
southward of Japanese troop transports, supply freighters, destroyers, cruisers, and even battleships were indicated by radio
traffic and this seemed to support preconceived notions among US planners that the inevitable blow would be struck in Southeast
Asia, not the Central Pacific, let alone both.
There was some alarm at this point that no radio traffic had been
identified from the Japanese fleet carriers for many days. Furthermore, the Japanese had just changed their radio call signs
for the second time in a six-month period, which was unprecedented. Even more disturbing to some was the overall precipitous
drop in the volume of Japanese radio traffic. However, US intelligence officers were "confident" that the carriers
were in the home waters of Japan and not "rounding Diamond Head" as Admiral Husband E. Kimmel, Commander in Chief
of the US Fleet, half-jokingly speculated. Such confidence on the part of seasoned intelligence officers was born of disbelief
that the Japanese could mount a carrier attack on Pearl Harbor. If the Japanese carriers were not heading south, then they
must be in their home waters, or so went conventional wisdom.
Upon recovering his aircraft Vice Admiral Chuichi
Nagumo again clamped strict radio silence over the First Air Fleet. The US carriers Enterprise and Lexington
were at sea somewhere nearby, and the last thing he wanted was an unexpected encounter. Nagumo did order air patrols to cover
his withdrawal from Hawaiian waters, prepared to strike the enemy if he encountered him. Fortunately for the US flattops,
perhaps, the First Air Fleet retired without such an encounter.
Further Reading For more information on the Pearl Harbor raid, consider the following: See my Nagasaki page for information on the raid that ended the Pacific War.
7 dec 08 @ 8:14 am
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Other Places
My military technology and history blog.
My favorite blogger because of his mastery of pop-culture, politics, humor, and his
throw-away references to AD&D and Traveller. He even remembers Gamma World. A fellow New Bostonian transplanted from
New York.
Hands down, the best column
writer on the Internet. His posts are essays and most are gems. A right-wing Garrison Keillor. Plus he knows how to toss
around a Star Trek reference like nobody's business.
John writes science-fiction novels and got his start in journalism. He also self-published
his first novel online before getting a real publishing deal, so I take an interest in what he has to say.
I don't know who she is. I don't know what she's doing now. But this resume of movie and book reviews
and author interviews is the work of a first-rate critical mind, comic talent, and gifted author. In particular, Alexandra's
movie reviews are peerless. Even if you don't much care about the movie she's critiquing, the reviews themselves
are great reads.
The blog of John Birmingham, an established Australian science-fiction writer specializing in alternate
history who is up-and-coming elsewhere. He blogs about the sausage-making of novel writing, including finding and agent and
a publisher. John is generous with his fans and free with his advice.
A collection of essays, tracts, and screeds written under a pseudonym by a unique opinion
columnist for the Asia Times. Spengler has risen to fame and infamy in the wake of the September 11 attacks on the US. He
paints with the largest of brushes and he scorns political correctness in all its forms. A breath of fresh air, even when
he repeats himself and extols his own virtues.
I like this Australian blogger a lot. He's witty, spot on, and he writes great headlines for his posts.
Noah Shactman is a rising star in military journalism. He talks the talk, and he
walks the walk. Read. Decide.
A far-ranging site devoted to defense and security issues, it is decidedly tolerent
in its embrace of opposing viewpoints and dissenting voices.
If you like your social and political commentary served with reason,
wit, and Catholicism, this is the place for you. Fear not: The Anchoress is firmly rooted -- anchored, if you will --
in the traditions of the Western Enlightenment.
The website of Australian science fiction author and editor Jonathan Strahan. He has regular dialogues
with readers on a variety of science-fiction topics.
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